Stereo Localization (2)

 

 

 

Spot Mic: 2 feet away from pick-up place

 

 

*Phase cancellation is biggest problem in stereo miking 

 

Phase ‘pulling’ reaction to diaphragm ==> ‘Negative’ voltage

Phase ‘pushing’ reaction to diaphragm ==> ‘positive’ voltage

 

*Poor phase coherence: sound wave reaches each Mic at different phase of cycle

 

 

*Critical distance: the point where the direct sound is equal to the reverberant sound in intensity

 

 

 

To avoid phase cancellation:

(Refer to: http://lossenderosstudio.com/article.php?subject=11)

 

i) X-Y technique

 

ii) Blumlein technique

 

iii) M-S technique

: Mono switch —> Complete cancellation of ribbon Mic L & R (do not touch Mid sound)

: Matrix 

 

iv) Crossed pair microphone technique (near coincidence)

 

 

v) Faulkner technique

 

 

 

vi) NOS technique

 

 

vii) ORTF technique

 

 

 

viii) OSS (Optimal Stereo Signal): a.k.a. Binaural techniques

 

 

 

ix) Madsen technique

 

x) The Decca tree 

 

 

Miking, Related Articles

• Near-Field miking
• Close-field miking
• What to Consider in Microphone Techniques?
• Mic Techniques for Grand Piano (2)
• Mic Techniques for Grand Piano (1)
• Miking (2)
• Miking (1)
• Instruments’ Sound
• Stereo Localization (2)
• Stereo Microphone Techniques

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